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I hadn’t had dinner with Jeremy Clarkson for ages. “Where are we eating?” he
asked. Gilgamesh, I said. “What?” Gilgamesh. “What’s that?” Earliest
recorded fiction. Written in cuneiform. Story of Babylonian deific king of
Uruk and his wild and brutish friend Enkidu, who runs naked through the
forest.
“I don’t like the sound of that.” It’s wonderful: a marvellously powerful
poetic narrative that includes the original story of the flood. And you’re
very like Enkidu. “No, I mean I don’t want to eat cuneiform.” Granted, it’s
an odd name for a restaurant. “Where is it?” Okay, got a pen? The Stables
Market. “That’s pretentious.” Chalk Farm Road. “Oh God, it’s north. The next
thing you’re going to say is N something.” NW1. The ululating rant about
north London’s inhabitants, their mothers, personal hygiene and habits that
followed needn’t detain us.
I haven’t been to Camden Market since it was just three gently swaying hippies
with a trestle table, a pile of mujaheddin hats that were like wearing an
angry ants’ nest, a rack of Anatolian goatskin coats that were like wearing
a butcher’s bin, 13 varieties of incense that all smelt of athlete’s-foot
powder and four kilos of red Leb, which turned you into a ravenous slug.
People often ask me if I think marijuana resin is addictive. The answer is
absolutely yes: it makes you addicted to Curly Wurlys and prawn-flavoured
crisps. And whatever happened to incense? It was the smell of my adolescence
— along with cheesecloth and rejection. Everything was covered in little
trails of ash, like a worm crematorium.
My, has Camden grown up. The market’s huge. And no more Mr Natural. Now you
can be tattooed in 38 languages and pierced in 39 places. I doubt that one
person in 10 was born in London. I walked behind a man speaking Haitian.
There are a dozen varieties of hoodie, and representatives from every youth
gang and Tintin book in the world. It’s like an alternative, post-modern
boy-scout jamboree, or the inaugural meeting of the David Cameron Jugend.
Gilgamesh sits in the middle of this open-air, pan-national passeggiata, a
huge, purpose-built restaurant. I found Jeremy at the bar, recommending
getaway cars to a series of large men in dark glasses. “Have you seen this
place?” he squeaked. “Have you actually looked at this place?”
It’s astonishing. You get in up an escalator. The main dining room is huge,
and must seat up to 300 people. It has a retractable glass ceiling, three
storeys high, and decoration that makes Cecil B DeMille look like St Francis
of Assisi. The Babylonian theme has been extravagantly extemporised. Every
surface is covered in bas-relief and woodcarvings taken from the great
collection in the British Museum. These aren’t copies, they’re proper
Bollywood pastiches, handmade in India.
Triumphal Babylonians peer down at you with a severe mien. Ancient Babylon
didn’t have much of a sense of levity or tomfoolery. The cuneiform joke book
was a very short tablet: “So, there was this Sumerian, this Assyrian and a
Jew...” By way of light relief are the long pietra dura bar, made in the
style of the Italian Renaissance, and some Chinese dragons nesting under the
eves. To add to the theatrical effect, the lighting changes in a slow disco
spectrum, bathing you in blue, green and red to match the music, which is
part sword-and-sandals epic soundtrack and part sing-along pop classic.
The customers are a mixture of taxi drivers with their mistresses, Essex
tanning-parlour magnates with both their mistresses, media workers with
their boyfriends and a lot of girls who appear to be in search of a
footballer. Some of the waiting staff wear curly radio earphones. Whether
these are a simple style affectation or channel ancient voices, I don’t
know. It doesn’t make them any more efficient.
The mise en scène is incongruously, but grandly, finished off
with a coup de théâtre. The sports-dome ceiling opens
onto the goods track to King’s Cross. Every five minutes, locos pulling
containers of Korean gearboxes and German nail-polish remover emit ferrous
screams 20ft from your table. The effect is stupefying.
This is a hysterical temple to grand kitsch. Real, unironic, poker-faced
uberkitsch — which, you may have noticed, is taking over from twee
functionalism as the decor du jour for London. And, like all really
good bad taste, the question it screams at the viewer is: “Guess how much I
cost? And who had the glass eye and incontinent wallet to pay for it?”
Then there’s the food. How could I forget? It’s a jabberwocky collection of
Nobu Asian stuff: Japanese, Korean, Californian sushi; Chinese Singapore
dumplings; Thai, Laotian, Vietnamese style. It’s overseen by Ian Pengelly,
who worked at E&O, then the shortlived Pengelly’s. Despite the cacophony
of the room, the number of covers and the distraction of so many Wag
wannabes, the food is actually very good: well made, with clear flavours,
imaginative combinations and attractive presentation. If you feel you’ve
eaten a lot of it before, that’s because it is becoming London’s regional
cuisine.
The service is charming, though the de rigueur description of every
dish is an infuriating interruption. With the bill, I asked, as I always do,
if the service charge went to the staff. The waiter said, yes, it did — to
all the staff. So I punched in my Pin number and the amount turned out to be
£20,000, and change. He’d left the option to add an extra tip, just for
himself. This is greedy and crass. We have got to sort out the
service-charge deal. Although each dish looks reasonably priced, the three
of us managed to consume £200 worth of food without feeling stuffed.
So, to recap: there’s this Babylonian restaurant, decorated from India,
serving Japanese-Chinese food, cooked by a Welshman, for Londoners from
every corner of the world. It’s culturally incoherent. But before you sneer,
it’s not socially so. This is what the melting pot looks like. And it’s
certainly an improvement on three hippies.
Jeremy looked around and said: “You know, this could be the Grand Hotel in
Kuala Lumpur, or Nineveh. I’m going to bring the kids.” He should hurry. I
reckon any day now the Americans are going to invade and set up a green zone
in the VIP Babylon bar.
GILGAMESH
Stables Market, Chalk Farm Road, London NW1; 020 7482 5757.
Lunch, Fri-Sun, noon-3pm. Dinner, Mon-Sun, 6pm-midnight
5 stars Eton mesh
4 stars Officers' mesh
3 stars Gilgamesh
2 stars Pie and mesh
1 star Don't mesh with me

AA Gill is a features writer and restaurant critic for The Sunday Times and he writes regular travel pieces for The Sunday Times Magazine, for which he has won two Glenfiddich Awards
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