Scott Pack
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Midnight's Children. Midnight's bloody Children. I can safely say that it is the most overrated book that it has been my misfortune to read. I still have nightmares about it, most them involving chutney, and now it has won the Best of the Booker Prize.
In its 40-year history the Booker has recognised some of the finest novels written. I just don't think that Salman Rushdie's Midnight's Children is one of them. And I am not alone. I appreciate that many consider it a work of genius, but I just feel duty bound to point out that a greater number of us simply don't get it.
But Midnight's Children is by no means the worst book to win the prize - far from it. The judges have selected some real clunkers over the years, many of which could stake a claim to be the Worst of the Booker.
The critic Boyd Tonkin let rip when The Sea by John Banville pipped Kazuo Ishiguro's Never Let Me Go in 2005. He called it “possibly the worst... and perhaps the most indefensible choice” since the award began. But thousands of readers have also been baffled by Keri Hulme's The Bone People since it won in 1985, beating Peter Carey and Doris Lessing. And few people today would think Anita Brookner's Hotel du Lac better than J.G. Ballard's Empire of the Sun, which it beat the year before.
These are not the only example of a superior work losing out to a novel that readers have failed to take to their hearts. In 2001 Ian McEwan's Atonement missed out to Carey's comma-less True History of the Kelly Gang. Cloud Atlas (David Mitchell, 2004), A Month in the Country (J.L. Carr, 1980) and Waterland (Graham Swift, 1983) were all beaten by books that have proved less enduring. And then we have the curious blip that was DBC Pierre's Vernon God Little, considered in 2003 a finer work than Monica Ali's Brick Lane or Zoë Heller's Notes on a Scandal. I am not sure many people would share that view in 2008.
But the worst winner so far? Step forward McEwan's and his 1998 novel Amsterdam. Even his biggest fans consider it his weakest book, yet it beat The Restraint of Beasts by Magnus Mills and Beryl Bainbridge's Master Georgie. Someone must have slipped something into the judges' tea. Nigella Lawson was one of their number that year. I say nothing more. All of which may lead you to believe that I dislike the Booker Prize. Nothing could be farther from the truth. I love the damned thing. I probably enjoy it more when a bad book wins than when they give it to one I adore. Getting annoyed is all part of the fun. And boy, am I annoyed about Midnight's Children.
Scott Pack is the former buying manager at Waterstone's and is now a publisher at The Friday Project. He also writes the Me and My Big Mouth blog
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I realize you don't have much space here, but all you've really done is said that Midnight's Children is overrated and gives you chutney nightmares, quoted a guy who calls the choice of The Sea indefensible...and listed various likes and dislikes...
This piece should be on the horse racing page
Nigel Beale, Ottawa, ON,
I quite liked Midnight's Children but do think his writing can be quite pretentious. I much preferred Moor's Last Sigh.
I agree about Amsterdam. And the Bone People was extremely pretentious. Did she sit with a thesaurus next to her while she wrote?
I also didn't like The Inheritance of Loss.
J. Norton, Oxford, UK
Well done. Speaking out against the tedious Midnights Children by St Salman is brave indeed.
Also: Burgess' timeless Earthly Powers losing to Golding's tedious Rites of Passage. Greene's Travels with My Aunt and The Human Factor not even nominated.
Difficult job, though, Booker judge.
Andrew Forbes, Thames Ditton,
I thought cry babies were a spent lot.
Moaning and whining about a choice which you do not agree on is nowadays very much in fashion.
devasis chowdhury, Bangalore, india
I absolutely adore Midnight's Children but completely agree about Amsterdam.
Still, it's all subjective isn't it?
Sarah, Zurich, Switzerland
Hooray for Scott Pack! Midnight's Children (indeed all Rushdie novels) is unreadable and it was done earlier and better by Gunter Grass's The Tin Drum. Of the books on the shortlist, J G Farrell's The Siege of Krishnapur should have won. Why has William Trevor never won the Booker?
C Powell, London,
Three cheers to Scott Pack for telling it like it is. Totally agree. I still do not understand how it could have been voted the best of the Bookers..Actually tried to re-read to see if/what I'd missed...came to the same conclusion after a couple chapters: it simply left me empty...
M-C Guillaume, Toronto, Canada
I thoroughly agree. What's really tragic is that Midnight's Children should never have won the Booker in the first place. The White Hotel by DM Thomas was - is - an extraordinary novel, and would have been a far more deserving winner.
David Harrison, Brighton,