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I NEVER thought I would live to see it, but a fever of community spirit has
gripped Crouch End. This once un-chic area of North London, latterly
transformed by the usual means (house price inflation, loft apartments,
Starbucks) into a desirable quarter, is united in its determination to
reclaim the old, semi-abandoned Hornsey Town Hall.
Town hall: do these words sink the heart? Go to a place like Henley-on-Thames,
and you envy the unchanging, almost smug air of civic pride that its
charming town hall bestows. Every French and Spanish town has its mairie
or ayuntamiento, usually with a pretty square in front where you can
sit and take photographs. But the English town hall suggests local
government officialdom, small-minded self-importance, watch committees,
long-winded argy-bargy and decisions that enrage the citizenry.
We did The Pied Piper of Hamelin as a school play when I was six, so I
learnt early about the short-sighted decisions of local corporations, and
the people’s feelings about them: “Tis clear,” cried they, “our mayor’s a
noddy!” Later, as a cub reporter, I witnessed much noddyism in South Shields
town hall — an imposing, majestic building, proud symbol of a once
prosperous borough. If the rock-solid Labour council went astray, the Shields
Gazette, in a column called “Scrutiny” (by “Vigilant” — a veteran scribe
with fob-watch and gold-topped cane) would thunder about it.
But what use is a town hall, when a borough no longer exists? Hornsey, an old
London borough, was long ago swallowed up in the hideous hybrid Haringey,
based elsewhere. Hornsey Town Hall, largely empty for two decades now, was
built in 1931-33, and could not honestly be called charming. Its architect
believed that buildings should be unadorned. But it’s got heritage: it has a
Grade II* listing, and an Art Deco auditorium seating 900, an erstwhile
venue for orchestral and pop concerts and Christmas pantos. Haringey Council
now wants to lease the entire town hall complex to a commercial developer
who can build high-density housing in the car park.
A group of local residents called Crouch End for People (CEFP), rich in
professional expertise and vision, has worked tirelessly to propose an
alternative. This is a Hornsey Town Hall Trust, to reinstate the theatre and
(working with the council, but not requiring its money) open up the building
as a cultural centre for concerts, choirs, dance companies and public
meetings, with rehearsal rooms, design workshops, bookshop, café, spaces for
children and old people. Last Thursday night they held an impressive public
meeting in our parish church. Every pew was full, standing room only — a
rare sight. (If only the town hall were habitable, we could have gathered
there.) More than 700 residents came and many spoke, highly articulately.
Our MP, Barbara Roche, declared from the chair: “Never let anyone say
community politics is dead.”
The CEFP plan is meticulously designed and sustainably costed: it has already
got serious offers from three independent cinemas. It will reclaim the car
park (vital to the enterprise), and “regenerate the piazza in continental
style”.
This is crucial. The square in front is already a classic village green, with
an old chestnut tree in the middle. If this were France, it would be ringed
by outdoor cafés, market stalls, bandstand, boules. As it is, the grass is
fenced off, the paved area is a skateboarders’ paradise and the benches are
taken over by winos and squalid overflowing litter bins.
In postcode terms I don’t live in Crouch End, N8; we are in N6, which is posh
Highgate; but the shops we use and love are in Crouch End. When we arrived
here 23 years ago, it was a terminally sad sort of place. Now it’s a yuppie
magnet (ever since Bob Dylan was rumoured to be moving in) awash with the
familiar indicators: gyms and cyber-cafés and M&S Simply Food.
Apartment blocks are being carved out of every available corner. We don’t
need another one.
Annie Miles, a local actress, spoke for all, to loud applause: “We think
Haringey Council have had the town hall long enough. They have left us a
town hall to be ashamed of. How can we entrust this community treasure in
the hands of the very same council which has left it to rot for 30 years? We
want it back.”
Councillor Charles Adje assured us that Haringey Council welcomed all views,
that the final decision has been deferred while the people’s voice is heard;
that they aim to “meet community aspirations”. They know now what this
community aspires to. We want to use the bloody place. We want to see it
functioning, with events and facilities attracting people from all over
North London and beyond. We want the space in front to be welcoming, not an
embarrassing eyesore.
Next Saturday afternoon, May 8, people will be able to see inside Hornsey Town
Hall in organised tours (though we may not be shown the grand piano, ruined
by Haringey’s neglect of the leaking roof.) Out in the piazza there will be
bands, stalls, cafés, Covent Garden-style entertainers, local celebs (Jack
Ellis of Bad Girls, and the chap who shot Shaun of The Dead in
these very streets) and petitions to sign.
It’s a cliché that we Londoners don’t know our neighbours. Most of us came
here from elsewhere, and we lack the mechanisms of neighbourliness: people
commute into town, the population shifts, nobody pops in uninvited. But
other London boroughs, such as Hampstead, have reclaimed their disused town
halls by their own determination. Anything is possible when a community
stands up to be counted.
DISCORD, NOT HARMONY
YESTERDAY on Radio 4’s Today, Denis Healey spoke about Margaret
Thatcher as if she were dead: “She was a very odd woman. Had no interest
outside politics so when that was gone, her human life ended.” As Iain
Duncan Smith, the next speaker, said, Healey was “characteristically
ungenerous”. By contrast, Carol Thatcher on Woman’s Hour
championed her mother, vividly describing how she would tidy up piles of
paper “like a one-woman shredder” and, always ready to be on show,
absolutely never flopped around at home in a tracksuit. “Her place in the
history books is assured,” declared the good daughter Carol in ringingly
Thatcheresque, brow-beating tones.
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