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THE Chelsea Flower Show kicks off this evening at a £280-a-head charity bash
where the great and good will mix with celebrities and even a few gardeners.
The champagne will keep flowing until the show closes on Saturday, rather
than Friday — the extra day is a “first” in the show’s 83-year history.
The opening gala is a contrast to the politically correct green agenda claimed
by many of the design gardens. Words such as “recycling”, “sustainable”,
“wildlife”, “conservation” and “organic” pepper the descriptions of this
year’s gardens — although how anyone can claim the high ecological ground
for gardens which involve flying plants and people from all over the world
is beyond me. Plant few wild flowers, use some recycled stuff and,
apparently, it is OK to nuke the atmosphere with jet aircraft exhausts.
More convincing green credentials can be found in modest show gardens such as
that of Sheddingdean Primary School. It is designed by the children, with a
miniature house/compost bin, a woven chestnut perimeter, wood pile and
simple planting. All the plants and features come from sources in Sussex and
will return to the school after the show.
And the Fittleworth Horticultural Society garden, which makes no ecological
claims, cannot have dented the planet’s ecology to any great extent. All the
flowers and artefacts in this voluptuously planted garden come from members’
own plots — whence they will return.
“I wanted to make a garden which would make people think, ‘I can do that at
home’,” says Beth Holden, its designer, who is at Chelsea for the first
time.
For the fashion-conscious, colourful planting and, yes, balls appear to be
major themes this year. Box balls appear in gardens by Kim Wilde, the former
pop star, and Chris Beardshaw and Diarmuid Gavin, the TV garden makers.
Wilde’s are offset by a pleasing slate sphere. Gavin’s appear amid a sea of
lavender and spherical white pavilions backed by a wall of polished black
marble. Beardshaw’s balls line a pool with a cloud-pruned pine from Germany
at its centre and cylindrical hornbeams at the far end.
Gavin’s cool colour scheme contrasts with a euphoric wildflower planting by
the Fetzer vineyard garden from California. The colourful style is echoed in
the Cancer Research garden by Jane Hudson and Erik de Maeijer, who last year
won the BBC/RHS people’s choice award.
Water weaves through plenty of gardens. In the stunning Merrill Lynch garden
Andy Sturgeon has made a pool with square holes — voids — in the water.
These cubes of voidness are echoed by a hillock of oak cube stepping stones
interspersed with planting that make a Giant’s Causeway effect.
Another Chelsea veteran, Tom Stuart-Smith, has sheets of water falling into
rectangular pools from an alley of weeping hornbeam. Rectangles of green and
purple make a typically elegant Stuart-Smith planting, although I could not
see how it relates to the riotous Italianate gardens of Trentham, which are
supposed to have inspired the design.
Riotous planting abounds in the Great Pavilion, with displays from Jamaica and
South Africa and several great British rose-growers, including Peter Beales,
who celebrates his 30th Chelsea this year. He has bred a host of favourites
over the years, including the scented, creamy-white, repeat-flowering
climber Clarence House (at the request of the late Queen Mother), and the
pink City of Oelde, a tough, repeat-flowering modern shrub.
Continuing the theme of first timers, Alan Titchmarsh will make his first
appearance at the show. No, not that one — this is the “full, rounded and
pink” rose of that name, bred by David Austin.
Other new plant launches include Coreopsis Crème Brûlée (Blooms of
Bressingham) — a delicate-leaved plant with serrated yellow petals. Blooms
had to keep the plants under 24-hour-a-day light and heat to bring them on
in time for the show.
A final first comes from the Chelsea Pensioners, who live at the Royal
Hospital where the show takes place and who have mounted their first garden.
It commemorates the 60th anniversary of the end of the Second World War and
it is an enchanting vision of “Blighty”, designed by Julian Dowle.
The pensioners grew vegetable varieties taken from a 1939 catalogue and
surrounded them with a thatched village pub and garden complete with
wistaria-covered arbour, a duck pond and a meadow speckled with scarlet
poppies.
Jane Owen is presenting the official Chelsea Flower Show DVD (available
through www.rhs.org.uk).
She answers garden questions every Friday at noon at the Gardening
forum
Tickets for the Chelsea Flower Show may still be available via 0870 9063781
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