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Germaine Greer has compiled a picture book in praise of adolescent boys.
“Nearly ripe”, I’m told, is the term. She extols their spigotty, spurty,
palely posing, pustular, hairless, gruff squeakiness. “Ooh, it were like
rubber cosh wrapped in damp chamois.” Well, good for her. As a hobby, I’m
sure it beats tapestry, or joining the neighbourhood watch.
I can say, without let, hindrance or contradiction, that Germaine Greer is the
single most influential and memorable human being of the 20th century —
principally, for making fabulously encompassing, brilliantly omnijudgmental,
multi- Hoovering statements. She has earned her place in the son.
It has been pointed out, however, that it would be difficult for a man to
write a companion tome. And fair enough, you might say, when every facet of
popular culture, from advertising to movies, is already a sleazy paean to
barely legal totty, produced by middle-aged men for middle-aged men. The
last thing we need is a book in praise of girls, with their dappled, strappy
gap years, their pinkly pointy buddings, their downy clefted, tightly
folded, satin, slinky, sweet-scented, skinny bits, their wide-eyed
insouciance and their romantic yearning for the firm, guiding embrace of a
chap who is old enough to be their father (but doesn’t look it). We get
enough of that at home. What makes me mildly jealous is that Greer is seen
as a brave explorer, reclaiming virgin territory, whereas Gill would be just
another virgin exploiter.
It’s an old French cliché that youth is wasted on the young. Well, it’s not.
Only the young have the dumb resilience and naive cynicism to put up with
youth, which is mostly a daily struggle to repel the attention of Greers of
both sexes. There is a point after which sex with a partner who’s younger
than your waist measurement is simply not nice. However, the French also say
that there are consolations, compensations. You swap the squirm and slurp of
the sofa for the luke-still pleasure of the concert hall and gallery. For
while youth may not be wasted on the young, culture most certainly is.
Culture is a closed shop. You have to be cultured to get culture, and to get
cultured you need to have done culture. Sex may have passed to the
Anglepoise generation, but culture belongs to me.
Except it doesn’t any more. I’m excluded from contemporary music, and
contemporary art sighs “Whatever” when I ask what it means. Plays are now
about people and situations that are vilely inexplicable. Fashion is “forget
it”. And look at the Booker shortlist: was that fiction, or social services
case files? All that’s left for me is the cosy, think-lite symphonia, a bit
of dingy Chekhov, a postcards-you-have-loved compilation at the Royal
Academy, and three pages of a Penguin Modern Classic before bed with Jeremy
Paxman. Culture like Germaine’s dribbles over uncomprehending youths, whose
attention spans last only as long as their erections (which, I’m led to
believe, can take some of them through an entire Ring Cycle).
But there is one bit of the culture that remains the preserve of the cultured
— food. If you ever see anyone under the age of 21 in a restaurant, either
it’s their birthday, or they’re being interviewed for a job, or they’re on a
date with Germaine Greer. The pleasures of the trencher grow with age. You
could say that for the bored, the board replaces the bawd. Food is our
thing, our solace, the platform for our wit, experience and what’s left of
our flaccid flirtation.
So you can imagine my righteous indignation when I came across a restaurant
that was run like a 17-year-old’s bedroom: Lola’s in Notting Hill Gate is an
object lesson in why the young shouldn’t be allowed near catering. Children
are fine; I love children in restaurants. But the moment they begin to
slouch, roll their eyes and talk through their noses, they should be banned
until they’ve had at least one divorce. Lola’s was so chronically adolescent
that I ’m not even going to review it, save to mention my coq au vin,
a plate that would have disgraced the first shared-digs dinner party given
by an ugly sloane reading conflict resolution and meteorology at Durham. The
turgid, amateur nastiness of the food was underlined by the slovenly,
shuffling angst of the service. Some young, sex-sated and stupefied girl
posing as a waitress occasionally idled by and asked if we wanted more wine
— wine, in her experience, being the only reason for frequenting
restaurants.
So I’m not going to review Lola’s. Instead I’m going to review the Ebury on
Pimlico Road, which is a sort of King’s Road for people with mortgages and
back problems. It’s full of antique shops and divorcées. This restaurant, I
think, used to be a pub. It’s now two dining rooms: cheap and cheerless
downstairs, chic and cheerless up. The first-floor room has ironic
chandeliers and flames painted on one wall, as if they originally wanted to
make it the Harley-Davidson cigar bar and bitch-swap club, then looked out
of the window and changed their minds. I took Maurice, my dear old friend,
and Jo, from Bali. Maurice fell upon the squash soup and volubly declared it
the most opulent heaven. But then, he is a pushover for soup; anything warm
and wet, he’ll suck till the plate squeaks.
Now, I haven’t been sick for a long, long time, but my kalamata olive risotto
with baby squid and gremolata déjà-vued me straight back by DHL. It cleverly
and precisely contrived the three Ts — taste, texture and temperature — of
happy, youthful vomit. Just the right proportion of viscous bitter acidity.
As you get old and more sophisticated, you’ll grow to understand that there
is something worse than having the taste of your regurgitated dinner in your
mouth. It’s having the taste of someone else’s regurgitated dinner with
added squid in your mouth. Everything else paled into forgettability — oh,
except the apple crumble. Wantonly, they replaced the crumble with warm,
browned Alpen. Why would anyone want to do that? Service was from the JRR
Tolkien school of butlering: everything was an interminable journey and a
saga.
It’s £29 for three courses. For that, you could probably buy Germaine’s book,
a rubber glove and a tin of custard. You see, in time, we learn that life is
all about considered, grown-up choices. Which is why you’re reading a
restaurant review on Sunday morning and not doing the dirty doggy with some
mewling hardbody.
Lunch, Mon-Sun noon-3.30pm; dinner, Mon-Thur 6.30-10pm, Fri-Sat 6.30-10pm
AA Gill is a features writer and restaurant critic for The Sunday Times and he writes regular travel pieces for The Sunday Times Magazine, for which he has won two Glenfiddich Awards
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