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Gordon Ramsay can boast many achievements. He’s a chef of supreme delicacy
and style, has immense personal charm, uses the F-word more times on
television than any person in history and has abolished the ridiculous dress
codes that blighted London hotels such as Claridge’s, the Savoy, the
Connaught and the Berkeley. You’re allowed into Gordon’s restaurants in
T-shirts, sneakers — and probably nude. Although I haven’t tested that.
So why were the words “lounge suits” on his invitation to the opening drinks
party for La Noisette on Sloane Street? I own three lounge suits. I wore one
for the Queen. I’m certainly not wearing one for a restaurant opening.
We e-mailed and received a missive back saying I could come without a lounge
suit. There was Gordon, rampant in distressed blue jeans. In case your
memory doesn’t go back to the early 1970s, that’s jeans with slits
deliberately cut in them as a fashion statement.
The first-floor premises have always been miserable. They still are. Gordon
bemoaned the fact he’d lost a million pounds backing the previous chef, Ian
Pengelley, who briefly ran a restaurant there named after him. Pengelley,
not Ramsay. It was horrible.
Gordon introduced his new chef, Bjorn van der Horst, of Dutch origin but
American. Clean cut. Very pleasant.
Shortly thereafter Geraldine and I visited La Noisette to eat. A girl in the
ground-floor lobby said, “Shall I?” I think she meant “Shall I show you up?”
but words obviously failed her.
“As you like,” I said walking on up the stairs. This energised the girl to
come with us. Not A for first impressions, I thought.
As we approached the restaurant Geraldine tripped on a metal bar set in the
floor. I said, “Under law that’s called the hidden trap. A danger not
announced. If someone broke a leg they could go to one of those accident
solicitors advertising on telly and make a few quid.”
At the table I thought, again, how ghastly the room was. Gordon has titivated
it. There are new lampshades, different paintings. But it’s still
low-ceilinged, claustrophobic and gloomy. Not helped by large, dark brown
wooden slats on the ceiling, which give the appearance of a failed 1970s
provincial airport.
The menu can lightly be described as over the top. Lots of over-explained mini
items. There’s an “inspirational tasting menu” for £65 plus 12.5% service.
The assistant restaurant manager, Nicolas Mori, came to take our order.
“Where’s your pad?” I asked.
“I don’t need a pad, we don’t use a pad,” was the answer.
“Then I’m not ordering,” I said. “I’ll go somewhere else. I’ve had enough
wrong dishes from waiters who don’t write things down.”
His boss, restaurant manager Robert Signe, explained, “We only use a pad if
there are seven or more people.” That is, without doubt, the most stupid
remark anyone has ever made to me in a restaurant. And I’ve heard a few.
Eventually they deigned to bring a pad. The whole experience was becoming
grossly pretentious. I decided to have the set five-course menu. Plus
dessert. I can’t remember the price.
I was becoming agitated. The gloom of the ceiling and the ludicrous dialogue
from the serving staff were getting me down.
To the credit of the kitchen they produced the food, for me at least, like
lightning. Most of it was superb.
We had a freebie starter of artichoke velouté, tomato fondue and tomato
granita. Delicious. Then a tiny bit of chilled gazpacho. Very good. Then a
fricassee of crayfish. Excellent. Too much liquid sauce with it, though, and
I only got a knife and fork. Perhaps I was meant to lick the plate! Then a
watermelon carpaccio with goat’s milk feta, black leaf tapenade and rocket.
An absolute sensation.
At 9.15pm they dimmed the lights. Big event, that. Then came the main course —
rabbit. Perhaps they wanted to disguise it. A big, big, big (note I wrote
“big” three times) let down.
It was described as “a saddle of Lancashire rabbit stuffed with its own liver,
served with pork belly, crispy squid, giroles and parmesan foam”. It all
tasted utterly dreary.
After the rabbit an amazing cheese trolley appeared, I had a bit of
Geraldine’s. Excellent. The “classic dessert” on my night was cherry and
almond clafoutis (whatever that is!) with a kirsch ice cream. It was like a
little tart. It was fine.
At the end I said, “I still haven’t had a hearty meal.”
Geraldine observed, “The other side of the menu was a hearty meal. There was
chicken for two or lamb.” Hearty? Maybe. I won’t go back until they change
the ceiling. It frightens me.
Michael Winner has made more than 30 films in his career as a director, but is arguably better known for his outspoken restaurant reviews. His weekly Winner's Dinners column for The Sunday Times features visits to the world's great eateries
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