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When Rosemary Harris and her husband Raymond bought Somerset Lodge back in
1987, its derelict, steeply sloping, half-acre garden did not look
promising. There was little in it, apart from a few miserable- looking
orchard trees, and the walls within were collapsing into the slope.
Undeterred, the Harrises, both architects before they retired, went ahead with
the purchase of the Grade II*-listed, 17th-century house in Petworth, West
Sussex. For two years, as they worked to restore the property, Rosemary came
down from London every weekend to dig out stones from the garden.
“Being at the drawing board in London and coming down here to flex my
muscles,” she says, “I couldn’t wait.
“I love moving earth,” says Rosemary. “I’ve got about 20 ways of moving it.”
The Harrises rebuilt the wall and created a large lawn, the only non-sloping
part of the garden. Underneath the soil in the orchard they discovered the
rubble of former houses, and this they recycled to create retaining walls,
thereby staggering the slope into more manageable areas.
Garden enthusiasts can see the results this Saturday, when the Harrises’
garden opens to the public as part of the National Gardens Scheme’s Chelsea
Week Tours.
It deserves a visit. Today, there is a box parterre for fruit and vegetables,
a large border filled with wild flowers, areas for roses, two ponds, a
shrubbery and four lawns. Despite being in the centre of Petworth, the open
aspect at the rear of Somerset Lodge leads you almost to believe that you
are in the country. Beyond the garden, with the advantage of being slightly
higher than the parkland it abuts, thanks to the buttressed outer wall,
there are long views of “borrowed landscape”, stretching, on a good day, to
the North Downs 14 miles away. “Every step of space has a view,” says
Raymond.
It was Rosemary who designed the garden, but, in its structures and furniture,
Raymond is very much in evidence. His handicraft, including the garden
furniture, is made up in his workshop — two 16th-century former cottages in
the garden. At the far end of the garden, for instance, is a gazebo, which
he modelled on the stone fountain in the great court of Trinity College,
Cambridge. With its lead roof topped with a gold-leafed ball, it provides
both a focal point for the garden and a picturesque place in which to sit
and admire the landscape beyond.
This is a garden in which everything is thought through to the smallest
detail. The balustrades around the main lawn, for instance, were made by
Raymond and are based on the magnificent four-floor wooden staircase inside
the house. When the couple decided to add extra beds in the parterre, they
created them as mirror images of the beds that radiated from the
conservatory.
When designing the garden, Rosemary drew up a plan. “As I did the work, the
plan changed and it became more structured,” she says. Even the wildflower
area has been given formal perimeters, in the form of a rugosa-rose hedge on
three sides and a box hedge by the upper path. On the other side of the path
is a copy of a Roman statue of Mercury — the original was found during
excavations at Moorgate, London, for a new building, designed by Raymond,
and is now in the Museum of London. As it is in a shady area, it is
surrounded by ferns and fatsias — “they provide the fig leaves,” says
Raymond.
Rosemary’s practice specialised in the restoration of old houses. Yet although
the garden is in keeping with the spirit of the house, it is not a slavishly
“period” garden. One touch, though, you suspect the 17th-century owners
would have recognised and approved of: in the front garden are two box
parterres spelling out R, the initials of today’s inhabitants.
Tickets for the Chelsea Week tour to Somerset Lodge and three other Sussex
gardens are £68 and include travel from Surbiton station and a picnic lunch.
Call 020 8339 0931
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