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The BBC is failing to provide new and exciting programmes, according to licence fee payers.
Viewers believe the broadcaster lacks innovation and is still providing a diet of reality shows and copycat formats.
This is the key finding of an audience survey of 4,500 people - the most comprehensive ever undertaken by the Corporation.
The results were published today with the BBC’s Annual Report and reveal significant gaps between what viewers want from the BBC and what they feel they actually get.
The BBC Trust, which took over from the old Board of Governors, responded by demanding the Corporation take more creative risks.
The Trust said: “A key message from our work with the public is that audiences want the BBC to be more innovative. They value fresh and new ideas - and feel that the BBC could be doing more to deliver them. This a challenge for the BBC that we will pursue vigorously in the year to come,” the Trust said.
“Whilst public approval of the BBC remains stable, audiences have also told us that fresh and new programme ideas must be a high priority and more effort is needed. This message, alongside a desire for high quality - which need not necessarily mean high cost - is consistent across all groups who have participated in our consultations and it is one of the key factors we will consider when deciding the BBC’s strategic priorities in the autumn.”
In a reference to ratings chasing, the Trust added: “BBC Television has done well to continue to appeal to very large numbers of viewers... the question is whether or not this strong competitive response overall has been achieved at the cost of creative and cultural ambition.”
At a press conference in Westminster following the unveiling of the report, the new BBC chairman Sir Michael Lyons said that the Corporation has listened carefully to what audiences want.
He said: “The one area where there’s a significant and noteworthy gap between what the public value and their perceived performance from the BBC is under the heading of innovation. People want to be constantly challenged by new and exciting programming.”
Mark Thompson, the BBC Director-General, said: “The central challenge for the BBC Trust about innovation is a good challenge for the BBC and one we should rise to.”
He pointed to innovative successes such as Planet Earth and The Manchester Passion, adding: “But it’s interesting to hear so strongly from the public the message that they want more experimentation and risk-taking. That’s something I hope the BBC can rise to.”
Mr Thompson said other channels were now copying BBC formats. He singled out BBC shows How Do You Solve A Problem Like Maria? and The Apprentice. Although he did not name their imitators, the formats have been replicated by ITV1’s Grease Is The Word and Tycoon.
“It’s great seeing entertainment coming back to life on BBC1,” he said. “BBC1 is now being paid the ultimate compliment by other channels. With almost every one of our hits you can find a matching attempt on another channel to reach the same kind of conclusion.”
The Annual Report also praised dramas Life On Mars and Doctor Who as examples of what the BBC does best. The Jane Eyre adaptation, Billie Piper drama Ruby In The Smoke, documentary series Trawlermen and Stephen Fry’s The Secret Life of the Manic Depressive were also hailed as success stories.
But the BBC admitted that some shows over the past year have been notable flops. They included Castaway, the original reality show which was brought back with great fanfare but proved to be a ratings disaster.
Mr Thompson admitted to “one or two disappointments”, saying Castaway “wasn’t quite the roaring success we hoped at the time of commissioning”.
He added that there was a “slight patchiness and lack of ambition that we have to address” in the channel’s science programming.
Other TV failures singled out in the report included BBC2’s This Life revival, political thriller The State Within and legal drama The Innocence Project, all of which failed to capture viewers’ imagination.
Both the Trust and the Executive Board were critical of BBC3 for using “punchy” programme titles which may have put viewers off watching what were actually informative and high quality shows. Recent examples could include Booze Bird, actually a serious exploration of alcohol-fuelled female violence, and Sex - With Mum And Dad, in which families discussed sexual issues.
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Maxine of Southend........if you are under the illusion that the BBC is not neutral in its reporting you should perhaps read the Daily Mail or the Daily Telegraph for examples of biaised reporting. As for repeats and flops perhaps you feel that the commercial channels are the answer to your viewing woes.....ITV , in my humble opinion ....has by far the worst programs of all the channels.....if you hate soaps and reality shows and program interruptions every 10 minutes or so via Advertisements ......what have you left.......?
IAN, Southend on Sea,
The BBC is not value for money. I only watch documentaries, the odd play and the news. Much of the remainder is uninteresting in my view. The BBC is a cash cow and should be dragged into the 21st century with items such as pay per view. The Directors pay, well someone is having laugh on the licence payers. If they are laying off 1000 employees then some of the top echelon posts should be chopped also, otherwise the BBC will have âmore Admirals than battleshipsâ.
Terry, St Albans, Herts.
For real innovation, what about a programme that appeals to people with a degree of intelligence. Innovative mindless pap is not going to be an improvement.
How about objective news. Now that would be a change.
Steve, Cambridge,
Why do we have to pay our licence fee for repeats and flops? It's a disgrace. I don't watch the BBC much these days - especially as they have a clear bias as far as news is concerned - where they have a duty to be neutral.
Maxine, southend, UK
If they didn't pay presenters six and seven figure salaries perhaps we could get decent programs.
If they get upset over a pay cut, they can always go elsewhere.
Or is it about time it was sold off, or else split up.
Most of the programs seem to be made by companies other than the BBC anyway.
Nite Owl, Ferndown, Dorset
At least the "bland middle class pap sitcoms" of, say, the 70s and 80s were often entertaining and amusing - programmes like The Good Life, Dad's Army, Citizen Smith and Porridge have shown remarkable staying power, and the ability to appeal to audiences who were not even born when they were first broadcast. Sorry if Audi man in the Borders thinks they're a bit old-hat.
Now, if you're not a soap addict, can't be bothered with makeover shows and never watch "reality" TV, what does that leave, in return for your licence fee? Not a lot - not even decent cricket! Mostlt, my box just stays turned off, these days.
Gill, Southampton, UK
Yes! At last they realise we dont want tons of bland middle class pap sitcoms.
We want exitement and entertainment and accountability for our licence fee. Bring it on.
I hate copycat programs for every copycat program you have one less channel of choice.
Audi Driver, Kelso, Borders
It's time Eastenedrs was pensioned off that's for sure. Not sure about innovative programming - I'd just like some decent programmes. Dr Who is the highlight in a moribund weeks.
carole, London, UK
The BBC viewers can want whatever they like. The public-funded BBC has its licence fee guaranteed for another few years so it isn't obliged to do anything.
Alex McGregor, Plymouth, Uk