Ben Hoyle, Arts Reporter
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In the violent slums of Venezuela, free classical music lessons have transformed the lives of hundreds of thousands of children and created an unlikely production line of virtuosos.
For 32 years El Sistema (the System) has tackled the “spiritual poverty” among some of South America’s poorest street children by teaching them to play Bach, Beethoven and Mahler in orchestras.
Now El Sistema is coming to Britain, where project organisers hope that it will rescue a generation of children on one of Scotland’s most notorious housing estates.
On Friday the Simón Bolivar Youth Orchestra of Venezuela, El Sistema’s dazzling standard-bearer, is to play a rare British concert at the Edinburgh International Festival.
Families from the Raploch estate in Stirling will be at the rehearsal, dreaming that their children might one day follow in the footsteps of Gustavo Dudamel or Edicson Ruiz. Dudamel, 26, is music director designate of the Los Angeles Philharmonic. Ruiz is a double-bass player who was plucked from the ghettos of Caracas to become, at 17, the youngest-ever member of the Berlin Philharmonic.
Raploch could use a few success stories. On the outskirts of Stirling, overshadowed by the castle, hemmed in by the Forth River and the M9 motorway to Perth, rows of crumbling pebble-dash houses testify to years of decay.
Half a century ago children played in the streets and factories lined Raploch’s main road. Now there is widespread unemployment and parents are scared to let their sons and daughters outside.
Mechelle Kerr, 32, a mother of three, said that parents would do anything to keep their children off the streets. El Sistema is the answer to her prayers, she said, watching her middle child Stuart, aged 5, ride past on his tricycle. “There’s nothing for the bairns at that age except the swing park, and that’s full of 14-year-olds drinking Buckfast [tonic wine].”
Stuart wants to take up the trumpet and learn the music for the Sonic the Hedgehog video games.
Raploch’s fortunes are already being slowly transformed by a £120 million regeneration project, including 900 new homes, new schools, nurseries, sports facilities and a health campus. It is hoped that the regeneration programme and El Sistema will support each other.
Judy Barrow, of the Raploch Urban Regeneration Company, said that the area’s poverty does not compare with the conditions that many of El Sistema’s current pupils grow up in.
“We don’t have shoeless starving kids in Raploch but we do have kids who don’t have the same opportunities as other kids to go to ballet classes or music lessons because their parents can’t afford them.”
In Venezuela, El Sistema embraces more than 200 orchestras, reaching 250,000 children. It attracts more than £15 million a year of government funding. But it started humbly, with a handful of children playing in a garage.
The Scottish pilot will follow this modest model. A company has been set up to run the five-year scheme in Raploch, backed by the Scottish Arts Council, the BBC Scottish Symphony Orchestra and Stirling Council. If the pilot is successful there are plans to roll it out across Scotland.
Susan Carragher, who is responsible for communities and culture at Stirling Council, travelled to Venezuela in May to see El Sistema at work. She was struck by the passion of the children. “We saw one student with a bandage on. She’d been shot but she didn’t want to miss a class.”
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my daughter had a talent for music at primary school they even wanted to lend her a keyboard but of course they were not allowed to and we could not afford to have lessons or buy an instrument
it could have helped her self esteem
k price, london,
I would love for this incredible Venezuelan musical program to be implemented in Canada... so my three year-old daughter could be INSPIRED with PASSION to learn music, the way Venezuela's 250,000 children now are. Bravo Jose Abreu! You so deserve being this year's recipient of the Glenn Gould Prize!
Bobbi Jo Hart, Montreal , Canada
Dear Sir,
With your reference to âRaploch could use a few success storiesâ I was born and raised in the Raploch, and still live there. The Raploch has lots of success stories, most of Stirling Councillors and Provosts came from the area, not for getting Billy Bremner capped 54 times for Scotland, George Graham capped 8 times for Scottish Rugby, or Dugald Graham who wrote his account of the Jacobite Rebellion in 1753, also Duncan Buchannan who spent most of his retirement years look after all the old people in the community, Raplochâs head primary teacher Anne Stewart received an MBE for her outstanding work at her school and her work with local groups, or Pat McGowan who has dedicated over 50 years teaching youngsters how to play football, Andrew Healer whose work was instrumental in getting the Raplochâs regeneration program up and running, Mary McKinley who has dedicated over 25 years running groups in the area, and not forgetting all the people who volunteer.
Steve Dornan, Raploch,
The amazing thing in Venezuela is that the opportunity to learn an instrument is freely available nationwide. This should be the case in the UK aswell.
Jerry, Kent, UK
Surely the point is that be it in Stirling or Caracas the initiative towards music is involving kids as participants. We are a not-for-profit company and organize workshops for young musicians as well as concerts for professionals. The aim is to open doors, provide a performance opportunity in front of a sympathetic audience in a nice place which encourages respect - between musicians and from audiences towards musicians. We also encourage musicians to come and talk to the audiences after the concert. The engagement is important and effective. Bravo to Scotland - and Venezuela (the Simon Bolivar performance at the Proms was electric:-)
Jane Macintosh, Paris, France
Dear Ian Kemmish
You have a point there, about our children ( and NOT just in deprived areas I might add!) having lost the culture of performing and creating music, but that's our fault. That's our greedy, materialistic, consumer obbsessed football obsessed money obsessed aggressive selves who are at fault.
Which is why it is so so so important to try to make El Sistema work here because when it is that we are so desperately culturally deprived, so will our shildren be, and that is where we need to heal most. Never say never. We nedd to make a change, and when enough dedicated people do, then it can happen. I certainly believe you are wrong. But we must heal ourselves as a society, and maybe this is a way for both adults and children, in all echelons of society, to heal here, and make the world a better place through creativity , not destruction and war - mongering.
Rebecca Roosman , musican, music teacher Edinburgh, Scotland
Rebecca Roosman, Edinburgh, Midlothian
I sense a difference between the two cases.
Poor Venezuelans still grow up in a culture where performing and creating music is the norm. They may not understand the language, but surely they will instinctively appreciate the skill of a classical performer. There, the classes introduce them to a more structured form of live music, and the orchestras teach them the value of co-operative effort.
Here, children in deprived areas have lost that culture. The music they are exposed to is merely another commodity to be consumed rather than re-created, and is aggressively anti-skill, anti-cooperation. The lessons have as much to offer them as it does the Venezuelans, but I suspect there is simply no "hook" with which to draw the children in to the lessons in the first place.
I hope I"m wrong, as my harpsichord is the single best purchase I ever made. But I"m not holding my breath...
Ian Kemmish, Biggleswade, UK
This excellent music programme - El Sistema - has nothing to do with Chavez. It started 32 years ago!
Juán Gómez, Maracaibo, Venezuela
This is all about opening your eyes margie and openning your heart.
Our country is changing in so many wonderful ways and most of us are very happy to be able to see it, and to be able to work to make these changes possible.
carola, margarita, venezuela
Thank you Mr Chavez for caring about the children in our Wolrd that are living in survival mode - on the peripherary of society. What this tells me is that if children have HOPE they can make better choices for their lives. I work in South Africa with the children and YOUTH living on our streets............a pending disaster with HIV/AID's orphaning millions of kids in Africa......I would love to see your passion being implemented in our country to prevent millions of children from becoming street children. I admire people that do!!!instead of talking about what needs to be done. At this stage in our evolution.......we need the doers and not the complainers. Have a look at our project - we have a 100% success rate and are pioneers of change. www.youtube.com - search mylife project south africa.
xx
Mylife Project, Cape Town, South Africa
What we need is less Bullying and Domination by the same cliques who get the money.
They are well "Joined Up".
No cello lessons for us in Primary School. A plastic recorder to be returned if you are lucky.
Digory, Narnia, Scotland
Is this a joke, I'm in Venezuela and there a hundreds of thousands children living on the streets, sniffing on glue and eating from the garbage.... not to mention they are sex slaves....
What is this article about????
Margie, Maracaibo, Venezuela
I admire Mr Chavez. I hope he can stand up to Bush, responsible for criminal war, and perservere for the benefit of his people.
I am a 70 year old native born US Citizen. I hate my government, I am ashamed of my government, I am terrified of my government
Charles Hacker, El Monte, Caolifornia, USA