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IRIS MURDOCH’S working library, a collection of almost 1,000 books, is being
sold by her husband four years after her death.
John Bayley said that it was a painful decision, but that he did not have
enough room at his house in Oxford since he had remarried.
The British Library has expressed interest in acquiring the books for the
nation. The subjects range from philosophy to psychology and religion to
poetry. They are covered with Dame Iris’s densely scribbled observations.
The Bodleian Library in Oxford, partly because of the author’s strong
connections with the university, could be another contender.
As well as the books the collection includes items such as makeshift bookmarks
of pressed flowers, bus tickets and scraps of handwritten notes. It was
assembled over 60 years and will provide a wealth of new material for
scholars and an insight into her thinking.
Dame Iris filled the margins, endpapers and paste-downs of hundreds of her
books with thoughts in blue ink or ballpoint pen, prompted by passages that
sparked her imagination. Some are neat and legible and extend over ten
pages; others take longer to decipher: page references, abbreviations or
notes in Greek or Latin.
In a 1960 copy of Talks on the Gita, by Acharya Vinoba Bhave, the
disciple of Mahatma Gandhi and one of India’s best-known social reformers,
she wrote: “Do not expect great men to be saintly — The ‘saintly’ does not
exist. Look at any ‘saint’ closely . . . Reading the Bible daily.”
In R. G. Collingwood’s 1950 treatise on aesthetics, The Principles of
Art, she posed the question: “Are there works of art which have nothing
to do with emotion?” Professor Bayley said: “As a writer and novelist Iris
Murdoch possessed an extraordinary and fertile imagination. Books fed it, of
course. But unlike many other scholars, philosophers and novelists, she did
not depend directly on what she read, or on what she had read. Her mind
seemed to work independently of her precious library, but at the same time
she depended for inspiration on the presence of her books.”
Professor Bayley is a former Warton Professor of English Literature at Oxford
University whose moving memoir about his wife’s descent into Alzheimer’s
inspired the award-winning film, Iris, starring Dame Judi Dench and
Kate Winslet.
Three years ago he married a long-standing friend, Therese Manus Honning-
stada. The library had remained almost untouched until now in an upstairs
study at the couple’s house in Oxford.
He is selling the collection, which has been valued tentatively at £150,000,
through Rachel Lee Rare Books of Bristol at the Antiquarian Book Fair at
Olympia, West London, from June 5 to June 8.
Ms Lee said: “As soon as I started cataloguing it, I knew it had to be kept
together. It shouldn’t be split up. For people who want to study the works
of Murdoch in the future, this helps to piece things together. It’s like a
jigsaw. This collection paints a vivid picture of a remarkable woman who was
a key figure in English life and letters for a large part of the 20th
century, not only as a novelist, but also as a significant and influential
thinker.”
Peter Conradi, Dame Iris’s official biographer and friend of 20 years, called
for the library to be saved for the nation: “She was a major novelist, a
major philosopher and a kind of iconic figure,” he said.
In Iris: A Memoir of Iris Murdoch, Professor Bayley traced a love
affair that began with their early days at Oxford when he fell for her after
seeing her passing his window on her bicycle and ended with her long
struggle against Alzheimer’s and her death in 1999.
Yesterday he recalled Dame Iris’s passion for authors such as Freud,
Wittgenstein and Simone Weil, who are well- represented in the collection.
“Their work had, to use an expressive phrase of Emily Brontë, gone through
and through her and altered the colour of her mind,” he said. “The same is
true of Heidegger, on whom she was working at the time that the first
symptoms of Alzheimer’s disease began to declare themselves, and her fine
mind began to lose its coherence and its capacity for consecutive thought.”
He said: “It was a very sad moment when, as the disease progressively invaded
her brain, she felt like the hero of her last, and for me her most poignant,
novel, Jackson’s Dilemma, that she ‘had come to a place where
there is no road’. And then not even her library around her could help her
to find it.”
The gradual atrophy of such a mind made her illness all the more shocking. As
her health deteriorated, she described her condition as “being in a very,
very bad quiet place, a dark place”.
Although Alzheimer’s was diagnosed in 1997, the books perhaps reflect
Murdoch’s deteriorating health in that few of her notes appear in any
volumes published after 1993.
One of the most poignant observations appears in a book of Russian language
exercises: “To become oneself a work of art — what is the use of that? In
the end — There is no end. Ends are lived through. Death is, as Wittgenstein
told us, not.”
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