Dalya Alberge, Arts Correspondent
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A team of British animators has created a computer-generated model of a human
heart so realistic that it could transform surgical training, doctors say.
The animators, who made their names working in television commercials and the
entertainment industry, turned their skills to medical science to produce a
model that simulates a beating heart. Every vessel and valve has been
reproduced with such accuracy that doctors believe it could become a vital
tool in cardiac care.
Sir Magdi Yacoub, the eminent cardiac surgeon, is one of the specialists
overwhelmed by the groundbreaking technology, which has just been patented.
He told The Times: “It is exciting, one of the very best things I have
seen for some years. It shows the anatomy and function of the heart very
accurately. When you put a probe down into the oesophagus to look at the
heart, this shows you accurately what to expect to see.
“This will have a great impact on managing patients, both during operations
and making the right diagnoses. This is just wonderful.”
Surgeons, anatomists, cardiologists, ultrasonographers and radiologists say
that the computerised imagery is the biggest step forward since Leonardo da
Vinci transformed understanding of the heart 500 years ago.
The animators are following in the footsteps of the Renaissance artist, whose
depictions of the way the heart valves open and close, the muscles expand
and contract, and blood flows in and out remain so precise that his drawings
have influenced the way that operations are conducted by modern surgeons.
Philipp Bonhoeffer, chief of cardiology at Great Ormond Street Hospital for
Children, said: “The pictures and graphics do so much more than words in the
teaching of anatomy. Leonardo da Vinci was the first to draw images of the
heart – he would have loved to see these. Absolutely stunning.”
He added: “The geometry is of the working heart, which one could never see
before. It is extremely exciting. The younger people who have to learn about
anatomy and the 3-D structure of the heart will never understand how
difficult it was for our generation not to have that tool.”
Bob Anderson, a cardiac anatomist, said: “The animation of the heart is truly
amazing. It’s like working with the real thing.”
The model came from an idea by Sue Wright, a consultant cardiac anaesthetist
from The Heart Hospital in London. Two years ago she approached Glassworks,
a company that specialises in high-end special effects, including gremlins
for a Sprite advertisement, a dancing mouth for Aero chocolate bars and a
dragon to promote the Bank of Ireland.
Three members of the team watched a live open-heart operation to get a true
experience of what a beating heart looked like before working with scores of
medical specialists.
Dr Wright said of their work: “We didn’t envisage that the quality of the
modelling would produce something as overwhelming as this.”
The images are on a computer screen. To make them even more lifelike, a
mannequin is being created so that the heart can be probed as it is in
surgery. Dr Wright said that the technology’s potential is huge as it can be
used for other organs.
Glassworks has been shortlisted for the inaugural Escape Awards, which
recognise computer graphics talent in Britain. The prize-giving ceremony
takes place today at Tate Modern in London. The film-maker Lord Puttnam
chaired the panel of judges.
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I read with great interest your article on the CAD of the anatomy of the heart. We at the Lancashire Teaching Hospitals Trust in Preston have designed a similar computer aided design in obstetrics which will potentially improve training of postgraduate doctors in the field of obstetrics. Ours is a 3-D teaching aid for vaginal delivery and forceps and for the correct management of shoulder dystocia; all which are extremely difficult to visualise and teach. This will potentially reduce maternal and neonatal morbidity and also litigation. After the introduction of the European working time directive junior doctors do not have the same experience in managing routine and more complex procedures in this field. The rise in caesarean section has also been in part thought to be due to a lack of experience of juniors in managing and delivering babies vaginally. We feel that our design takes post-graduate and under-graduate training a step further than highlighted in your article.
Dr Maneesh Singh, Manchester, Lancashire
So how come you name a lot of doctors who weren't involved but not the animators who did the work?
Yet again the behind the scenes people don't count even when the story is about them!
Pathetic reporting.
Thalia, london,